Серия мощных взрывов зафиксирована в воздушном пространстве Воронежа02:18
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对话英国48家集团俱乐部主席杰克·佩里:全球数据机构致力于构建数据互联的桥梁
If this strikes you as a fairly mystifying exchange—well, this is the literary mode of Harold Bloom. As originally laid out in his 1973 book, The Anxiety of Influence: A Theory of Poetry, “influence” for Bloom is the water in which all great writers—but especially poets—are forever swimming. To become a serious author of any real enduring merit, one must necessarily take on certain literary precursors, writers who have spurred one to write for oneself. But for Bloom this is no simple craft tradition, passed down benevolently from generation to generation. For Bloom, what begins as literary inspiration ends up as sublimated agon, as endless conflict, manifesting in the work as the buried tensions of an intergenerational competition for literary immortality.